Miley Cyrus is celebrating love in real time with the official music video for “Let’s Get Married,” an intimate black and white visual starring her real life fiancé, musician and producer Maxx Morando. Released alongside Cyrus’ 10th studio album, Bass Persuades, the video captures the couple disappearing into a carefree night at one of Hollywood’s most famous landmarks.
Directed by photographer and filmmaker Mert Alas, the video was filmed at Los Angeles’ iconic Chateau Marmont. Rather than staging an elaborate wedding ceremony around the song’s title, Cyrus and Morando check into the hotel with friends and turn the evening into a loose, romantic celebration.
The monochrome visual follows the couple through bedrooms, hallways and more private corners of the Chateau. Cyrus and Morando cuddle in bed, share a bath, eat ice cream together and move through a lively gathering of friends, with the camera capturing moments that feel somewhere between a fashion editorial and footage from a particularly glamorous night out.
That intimacy makes Morando’s appearance especially fitting. The couple confirmed their engagement in December 2025, and “Let’s Get Married” places their relationship directly inside Cyrus’ latest musical chapter. There is no traditional wedding in the video. Instead, its romantic imagery reflects the impulsive excitement behind the song itself, where marriage becomes less about ceremony and more about wanting to commit to the person beside you.
Musically, “Let’s Get Married” brings together several of Cyrus’ frequent collaborators. She co-wrote the track with Michael Pollack, Jordan Johnson, Stefan Johnson and Gregory Aldae Hein, while production comes from Cyrus, Pollack, The Monsters & Strangerz, Kid Harpoon and Hein. Kid Harpoon also contributes bass, piano, synthesizer and guitars to the recording, helping give the song its combination of pop polish and live instrumentation.
The track arrives as part of Bass Persuades, Cyrus’ 10th studio album and her latest release through Atlantic Records. The 10 track project also includes the title track, “Different Religion” featuring Model/Actriz, “Orbit,” “Aftermath,” “REDLIGHTS,” “Neon Signs” featuring Andrew Wyatt of Miike Snow, “Innocent Ways” and “Snow.”
Cyrus has described the album as something that developed alongside the movement of her own life. In a message accompanying its arrival, she reflected on creating and releasing the project in less than a year, saying that allowing the record to keep pace with her life helped it remain especially alive and immediate.
That idea feels particularly visible in “Let’s Get Married.” Rather than creating distance between her personal life and the world of the record, Cyrus places one of her most important relationships directly on screen. The Chateau Marmont setting adds classic Hollywood glamour, but the strongest moments are considerably simpler: two people enjoying each other’s company while everything around them becomes increasingly celebratory.
With “Let’s Get Married,” Miley Cyrus turns a love song into a stylish snapshot of where she is now. Between Mert Alas’ intimate black and white photography, the late night atmosphere of Chateau Marmont and Morando’s presence beside her, the video feels less like a fictional romance and more like a page pulled directly from Cyrus’ current life.
